The work speaks for itself.
Doors, cabinets, interiors and millwork. Drag the before-and-after sliders, and filter the grid by the kind of work you’re considering.
Drag to compare.
The entryway is a real job, shot from one marked spot so the only thing that changes between the frames is the work. The cabinets are a generated illustration, labelled as one — we haven’t photographed a cabinet pair yet.
Entryway, repainted
The columns, pediment and dentil course went from white to sage, with the moldings and column flutes cut in by hand in cream. The lanterns and ironwork stayed where they were.
Cabinets, refinished — illustration
Generated to show the effect, not a job we did — we have not photographed a cabinet pair yet. Watch what does not move as you drag: the countertop, backsplash, sink and floor are identical in both. Refinishing changes the finish, not the kitchen.
An arched niche, three stages in.
The same corner of the same kitchen, photographed as the work went on — framing opened up, board and bead set, then plastered, painted and fitted out.
Framing opened up
The opening cut and the blocking exposed. Nothing about the finished shape is decided yet — it is decided here.
Board and bead
Backer board fitted and the metal arch bead set and mudded. The curve is only as fair as the bead it is run against.
Finished
Plastered, sanded and painted, with the back panel in near-black, a walnut shelf and a brass sconce.
Recent projects.
More photographs are added as jobs are finished.
Somebody lives in every one of these.
None of them are projects to us. That’s a front door somebody’s kids come through every afternoon. That’s a kitchen that has fed a family for thirty years. That oak trim was run by hand by a carpenter nobody alive ever met.
Almost none of it needed replacing. What had failed was a few thousandths of an inch of finish on the outside of something still perfectly sound, and somebody just had to be willing to take the time over it. That’s the whole idea behind the name. Redux means brought back.
We’d rather leave a house with the things worth keeping still in it.
Want yours in here?
Send a photo of your door, your cabinets or the room you have been avoiding, and we’ll tell you what is involved.
(414) 436-1464